At length you reach a cemetery. We all know how deeply the Turks respect the graves of the dead — how they visit them and never permit them to be disturbed, as we do in Europe, after any number of years. In the abstract this is very grand, and when we imagine to ourselves a beautiful cypress grove with tall white monumental stones, and green grass beneath, it presents a stately and solemn picture. Now contemplate it in the reality. The monuments are overthrown, dilapidated, or awry — several roughly paved streets intersect the space — here sheep are feeding — there donkeys are waiting — here geese are cackling — there cocks are crowing — in one part of the ground linen is drying — in another carpenters are planing — from one corner a troop of camels defile — from another a funeral procession approaches — children are playing — dogs rolling — every kind of the most unconcerned business going on.
Now that you have prepared your materials and have coded the discourse strands, it is time to look at the structural features of the texts. Are there sections that overwhelmingly deal with one discourse? Are there ways in which different discourse strands overlap in the text? See if you can identify how the argument is structured: does the text go through several issues one by one? Does it first make a counter-factual case, only to then refute that case and make the main argument? You should at this point also consider how the headers and other layout features guide the argument, and what role the introduction and conclusion play in the overall scheme of things.